Cosmetic Display Counter

A cosmetic display counter program delivered in New Zealand in 2026, for a cosmetics retailer fitting a clean white shop. The brief called for a modular white display scheme — arched lit wall, fluted curved counter and oval marble table — all built as one coordinated system in our Guangzhou workshop. Roughly fifty to eighty square metres.

The plan sets a full-height white display wall as the backdrop, its face cut with arched and oval niches, each lit and shelf-lined, so the stock reads as a pattern of soft openings rather than a flat shelf run. A curved fluted counter with a marble top and a brass band turns in front of it, and an oval marble table on two cylindrical bases gives a freestanding display island. A drawer bank with slim black label holders runs below for backstock and organised smalls.

Merchandising divides by category. Skincare and cosmetics face out in the arched niches, one line per opening; palettes and compacts file in the drawer bank; hero lines and gift sets stage on the oval table and the counter top. Testers sit on the counter, within reach of staff.

Materials hold the white-and-marble scheme: gloss-white lacquer on the wall and counter carcasses, fluted panel fronts, a Calacatta-style marble counter and table top, brushed brass banding, slim black metal label holders and a grey marble floor. Lighting is built into the fixtures — LED strips in every niche, warm spots on the table — so the white reads crisp and the products glow.

Delivery followed the factory route in 2026: wall carcasses cut and lit, the curved counter formed and banded, and the marble top and oval table fabricated before packing. The shop fitted out in a single visit. Sample in seven to ten days, production in thirty to forty-five, shipped assembled from Guangzhou.